advertising and other stuff. no, really.



Monday, August 31, 2009

“Come for the dissent—stay for the AdPulp dudes!”


The topics this time out: Crowdsourcing, what Obama isn’t doing in social media anymore and Poland’s diverse workforce. Danny G. and David Burn from AdPulp were on the show, and if you like their blog, you get to experience another side of them. Smart guys saying smart things. What else can you ask for on a Monday?

Download the show directly here. (Topics here.) You can also follow us all on Twitter: TheBeanCast, mtlb, David Burn, and Dan Goldgeier.

Tags:

Dictionary.com goes 2-1 with latest
page takeover.














Toyota and Cheer were at least cleaner. This time, Dictionary.com gets crazy because you, uh, NEED TO SEE THE WORD YOU TYPE. Which leads to another topic all its own: Ever notice how Adobe has gorgeous package design, cutting edge websites and solid original content, but the graphics for its start-up screens and print ads are horrendously overdone? I get the idea that they’re trying to show everything you can ever do with the program, ever, but why not focus on simple like Apple does.

Sunday, August 30, 2009

T-Mobile’s almost nearly perfect
Google Apple spot.



Even though Google is one of those rare brands that blew up without the help of TV, this one feels like a spot they could’ve run had they wanted. It’s not overhyped like some tech brands and it’s just simple enough to be Apple, if, Apple and Google were bff. Like Google’s interface, it’s a clean, straight-forward spot with no dialog and retro feel-good Cat Stevens tune. (My dislike of his politics aside, the song moves the celebs along nicely.)

Two things though: The finger > swipe transition thing? Already done. That feature is just the price of entry for all smartphones now. The one other thing, stupid as it may be, was the visible color wash cgi transitions between the celebs. Detracts from the rest of the spot and cheapens the vibe. Just show them already with the different colored phones as it’d feel more natural and would keep the focus on their phone pics.

Add this one to their previous stuff though, and T-Mobile may have the best commercials in the category. Verizon, can ya hear me now?

Admissions officers everywhere are now cursing David Caruso.
















Or saluting him for doing what Quincy* started: Flooding forensic studies programs with students over the past few years. Forget that funding has been cut for labs while caseloads have increased, we have neon purple labs with cutting-edge tech! (Don’t we?) The CSI effect... now in effect as you’ll be solving some of this country’s toughest cases. (Won’t I?) Sure your skin will be pasty white, but that’s a small price to pay for career glory. (Isn’t it?)

After, of course, you wash down the table.

*Oh sure, Caruso wears sunglasses like it’s his job—it is—but Quincy really was The Most Interesting Coroner in the World.


Because laughing at guys with accents
is always funny.



This latest spot in the series of low-key Ogilvy & Mather SNY.tv spots focuses yet again on hardcore fandom around NYC, but anchoring that Motown sound and the reason you like them so much? Mandeep & Sharvarish, aka, store owners with accents! C’mon, don’t lie. Hilarity ensues, always. Nevermind that Lettermen created this bit 15 years ago with Mujibur Rahman and Sirajul Islam from Bangladesh—it’s okay, we’ll make these new guys from India, totally different—laughing at the non-English speaking among us is advertising’s God-given right. Why? Because it never goes out of style. Dig the Indian music cues too! Collect the whole series, including Charades, Lesson Learned and Keith Hernandez Day.

I mean, Super 8 has a gift shop, but mattresses?













Oh sure, anyone can sell a Disney duffle, but who knew you could have the Marriott sleeping experience at home? This isn’t some towel you “forgot” about that ended up in your suitcase, I mean brand new box springs and such. Oh, you didn’t think it was going to be cheap, did you? Normally, a brand extension like this is cool. But see the screengrab. Your chart legend: Yellow = wtf? If I’m spending close to $800 alone for a twin bed, the housekeeping better come with it to help me fluff the pillow. And I’m not waiting 6-8 weeks for it either—it better be here day after next. And $125 for a frame?

Is the super bowl logo fugly or what?







I know the season hasn’t even started yet, but why not talk Super Bowl! Look people, with 2012 around the corner, who knows how many more of these we might see. Actually *counts to self, 2010, 2011, 20...* So with news that CBS has sold 65%* of it’s ad inventory for this year’s “Big Game,” I also happened to catch a glimpse of the logo for the game. Did I say fugly, I meant, FUH-glee.

How about a nice retrolicious NFL Films kinda Super Bowl III, or perhaps I can interest you in a XXIII? Goes great with nachos.

*Going rate this year is $2.7-2.8 million per :30 second spot, down from the $3.1 million per that NBC got last year, as well as having sold 85% of their inventory by this point.

Saturday, August 29, 2009

NYC has a skate scene?



I KID. Looks like mah list of docs to watch is growing. Called Deathbowl to Downtown, this one takes a look at the growth of skateboarding in New York City and the East Coast scene, with a focus on late NYC resident Andy Kessler. Interesting how he had to order his gear from California when he was younger because the scene here wasn’t anywhere near what it is now. Which isn’t to say NYC didn’t drive the music and graffiti cultures that feed skateboarding. The East Coast graf scene would influence a lot of what the West Coast later did. Add it to the cue Sept. 15.

The rise and fall of web 1.0.



We Live In Public is a new doc out that chronicles the life of web “visionary” Josh Harris. Yeah, I didn’t who he was either. See what happens when the vision goes unchecked though.

The race is on.



To find a better commercial with the words flea market.

Not just puns, but sexy puns!



















Look at those two! Oh, no, I meant, look at how copywriters could multitask and work in both a pun and scathing commentary on the rampant sexism of the times. See, back in the day you staycation, salad-Krafting freaks, not only was bad wordplay as prevalent as it is now, but they also heaped extra helpings of double-entendre fun.

(Image via.)

I though dreams burned brighter than
3-5 watts though?













It’s the I Have A Dream lightbulb. This may be the greatest thing I’ve seen this... month though. Inventor Rayomn Guyton is leading a 26-mile Faithwalk today in Chicago to build support for a memorial for Dr. Martin Luther King. Hold Up the Light is the company behind the bulb, a good cause no doubt. But, think of all the possible your logo here brand tie-in possibilities! Why the pharma brand metaphors alone would fund that wall. “After I took (X), it was like a light went on!” Sorry for the watermark but that’s the only image I can find. If you want more divine inspiration, check out the other bulbs available on their website as well their commercial.

Click. Be inspired. Repeat.













Then wonder why your site isn’t as fresh as Skewville. (Via.)

“But I ship arms to Central American rebels, is USPS flat rate for me?”



Finally found the spot I wanted to go off on last time I mentioned the U.S. Post Office and as I remember, it’s as exciting as a DOT traffic report. Then I saw a recent New York Times article pointing out that they’re still holding on despite competition from the net and other carriers like FedEx, etc.

They also see sites like eBay helping their package delivery service, although this type of delivery only accounts for 10% of their business. So then why are they pushing exactly that in these ads? Really. 70 lb boxes. That’s what businesses ship all the time? Let’s try documents that weigh less than half a pound in 9 x 12 envelope for $200 Alex.

And if you assume that to be the case, then forget the confusing message of flat rate regardless of object messaging and go right at the other services on price. One overnite letter New York to California: $17.50 with USPS. FedEx or USPS? $26.78. Hello, McFly.

Given that difference, which service are you using?

And while I’m in a fix-it kinda mood, all three sites suck when it comes to their UX and functionality. WAY too much going on with submenu after submenu. I think we’ve grown so accustomed to offering people choices that we now give them too many. There’s redundancy and then there’s you’re killing me.

I show up to ship something, I expect a ship now or fee estimator right there when I first enter. I don’t need several hurdles to determine which country I’m coming in from or what supplies I need to order.

The USPS doesn’t have the country problem, but geez, if all the Asian dating sites I use know where I’m visiting from, how hard is it to throw a little of that same geo-targeting in the next site updates?

How about putting dimensions on each choice for packaging too. Know how long it took me to find the size of a 9 x 12 overnite envelope? It’s actually 9.5” x 12.5” but you wouldn’t know it without clicking through 25 pages first.

Look, I expect these things to be fixed so when it comes time to move my bride here I know which box is best for all her stuff. Hopefully, it’s all under 70 lbs.

Friday, August 28, 2009

Remember when you had to study
this thing?













And the things went around the center thing, and then connected with the other thing. IT DOESN’T LOOK LIKE THAT ANYMORE. Like it ever did, based on the new image. Does this mean creationism is a lie too? And where the hell are those satellite ring things? VERY disappointed right now.

Selling Hawaii: “Come back, we have Dog?”









Granted, the tourism business is down across the board, but you’re the Apple of vacation destinations, you don’t need a slogan, a rebrand or new look. Your product is perfect. All your advertising has to do is not get in the way. Your slogan could be “The locals won’t murder you in your sleep and we have those big outrigger things” or “Come for the tweekers—stay for the scenic vistas.” (Wait, that might be Vancouver’s.) Either way, you’d still be okay. Besides, Dog’s there to catch any skips. Wait, what, tourism dropped 8% over the same time last year? Yikes. Okay, maybe panic IS in order then. Look, just ride it out and don’t feel like you need a change in the message like Las Vegas apparently did. Own that thing. Disney has a polynesian resort? Hawaii INVENTED the hut. That’s why we invaded and made you a state.

Staycation my ass. Hawaii, bitches!

In an Absolute world.



Why just Boston. Let’s hit every city.

Journalism is dead and bloggers suck.










I get everything sent my way in terms of topics, from noodling to philosophical discussions on the epistemology of blogging. Sorry, catfish comes later because it’s time to talk about the latter. Sexy! Loyal unpaid reader Zeke sent me a link to some deep brain stuff relative to the bloggers aren’t real journalists debate from a recent ABC Radio podcast. (If you don’t feel like listening to a DOT traffic report delivery style, there’s also a transcript.)

Listening to it though reminded me of not just prejudices against bloggers by “traditional” journalists, but the anonymous skank blogger ordeal. ASBO, as mtlb central is now calling it.

My unproven but astute theory predicted a situation where reporters would be compelled to reveal sources, not because they were integral to a police investigation, but because someone was offended at something they wrote based on something their source told them.

But back to the real vs. not real argument. Both sides in this podcast each make their case, but I’d still give the edge to Tasmanian Mad Man Cody for poking holes in the seemingly unimpeachable tenets of journalistic integrity:

“Yes, I don’t think that's a problem in the blogosphere and I think actually that the use of anonymity in the conventional media is more of a problem, and it’s one of the common themes you find in the blogosphere is a criticism and I think a valid criticism, of the increasingly casual use of anonymous sources in the conventional media. . . . [W]here political journalism at least involves access to the powerful, to the bureaucracies in question, and one of the ways of getting access and currying favour in order to maintain access, is to allow people to go off the record without any legitimate justification for doing so. And what’s more, to allow them to do it completely unconditionally even if the story they’re giving turns out to be false.”

So I guess this means I’m legit now? Good. Now, let’s go catch some fish!

(Image via.)

Another ad they don’t want you to see.



ABC and NBC ban ad, omg! But I’ll show it to you. Because I care about healthcare? No, because I love that advertising line, and, tearing stuff apart like this is just gravy on the cake. Like, slo-mo zooms of grandma and grandpa running out of medicine? Awwwww.

Get your hot stimulus.










It’s everywhere! Spas, sneakers and sushi! It’s even spiking Google servers. When will the madness end. When, I ask you. My money’s on savings.

Thursday, August 27, 2009

Does flower power sell cars?










Or do consumers just care about power. You may have seen this recent effort by Toyota to play off their Prius hybrid spots, where they did a series of floralscapes to reinforce the car’s green theme. (The one above is next to the California’s Pasadena Freeway.) In this context, I like how it reinforces the message more than a cast of hundreds dressed in costumes that I love so much. While that may establish a larger feel-good theme that the brand wants you to feel though, I came across another series of spots which actually gives me a better reason to want to buy.

The new spots from Hoffman/Lewis (their CEO also writes Ad Contrarian), push features over broad dramatic theme. Not that it’s a problem having two different messages—consumers come in all shapes and brands seem to want multiple voices—it’s just that certain buzzwords like green tend to polarize. Watching these spots sells me on green a little less treehuggishly and more on the pragmatic aspects of the car without taking themselves too seriously.

Which works better. Flower power, or just, power?

What the...?










Words fail: Ultimate Muscle Roller Legend.


Do they come in a size 16?

Tactical bacon.

Three frames.

A gang for Baby G. (Via.)

TeacherTube.

Butter suicide bridge.

(Image via.)

Flash that doesn’t suck.













Not suck per se, just not all Flashterbationy. Came across this Newsweek story on San Joaquin Valley’s water problems. The Flash work though was clean, designed nicely and moved you along in an analog slide nav kinda way. A few zooms here and there, but, nice to see work that doesn’t need to overdo it.

Classic rock stock photography.



















Classic album art as stock photography in old ads.

More of these kids today.



Video is now up from last week’s PSFK Soho house Good Ideas Salon talk run by Piers Fawkes. Above is the second segment with the “younger” crowd (whatever the fuck that is anymore), and the “geezers” as everyone else called the first panel, is here. Some smart geezers though kids, pay attention.

This discussion though features Dominico Vitale (Founder, PI&C), Gill Linton (Founder, The Joneses), and Alain Sylvain (Managing Director, RedScout), discussing the importance of creative strategy, the industry’s lack of connection with consumers, the use and over-use of terms such as the big idea and branding, and accountability.

And Philip Morris didn’t come up with this?



From the stuff I think about folder, I got followed by a Green Cigarette on Twitter (since banned), but this thing stuck with me. E-cigarettes people. No, yeah, electronic cigarettes. At first, I was definitely like wtf, but, if you take the arguement that cigarettes are just a nicotine delivery system, as soda and coffee are for caffeine, and that the smoke is what annoys non-smokers (as well as being unhealthy for all), then why not focus on a delivery system for what smokers really want: Nicotine. Sure there’s the patch, but the idea there is withdrawl, not finding a way to continue. E-cigs seem like enough of a wtf idea though that would shut non-smokers up, even if the little LED light at the end provides endless hours of hilarity as smokers fuck with non-smokers in restaurants. Good idea for Philip Morris though. Offer both smoke and smokeless products! Hey, if Kodak switched from film to digi... wait, what, they are? Oh. Nevermind.

And, you can do those smoke rings too while your roommate walks in on your product review.

Because it’s the net and we’re
always up for a meme.













As Microsoft is finding out, the net don’t sleep. First of all, it’s real fake fakery got busted, then they apologized, and now, well, the TMFT* crowd is jumping on their ass. Ever want to be the (insert race) guy or gal at a Microsoft meeting? Now you can. Just go here and upload your image.

*Too Much Free...

Wednesday, August 26, 2009

But wait, there’s more...

- Teens hate Twitter. No, they don’t. Kids, make up your mind. (Via.)
- Who needs a hug. Dov says immigrants do.
- Fish is now the new fish, er, Vic Houghton.
- Keeping social media sexy.
- PC wordage 2.0.
- Fresh Flash flesh.
- The spreading stuff behind the spreading stuff.
- Member, age 67.
- Peanut butter and jelly? Trade ya.
- Strangest Workplace Complaints of All Time.
- Switching and dividing.
- Twitter Broadway play.
- No real progress since 1981.
- Falling down.
- Rushed voiceover by unprofessional voiceover talent? Done.
- Antimarketing. If the spit fits...
- PR stunt fails and hails.
- Speaking of spit.
- The worst rave in history.

“Steven Seagal: Lawman.” No, really.



HOW are you not watching this new A&E reality show. Well, one way: If the production company suing A&E has their way, you won’t be seeing it. What you will see is classic TV network hairsplitting: Production company proposes idea for Seagal to do show with them for A&E. Something like the Apprentice where contestants compete to be Seagal’s Daniel son. (Yawn.) A&E and Seagal’s people then say, eh, no. Let’s do a cop show. Hmmm. The ideas are different, albeit not that much, but production company did approach Mojo Priest first. What to do, what to do.

Either way, Steven taking home $200K per episode? Hope he’s sharing the wealth with the other dudes on the force.

Random Twitter backgrounds.









Kicking off this inaugural series, a gem! While a formidable image on its own, tile it for max impact. Generally, I like my vitamins a little cleaner. Note careful application of grime around bikini. This would be the job of the makeup assistant on the set. Basically the equivalent of the porn fluffer. Anything that needs remisting or griming? Yeah, get out that spray bottle. (Via.)

Note to self: Hmmm, brands to not compete with... the NFL?









Add the United Footbal League to the growing list of people who just wanna get spanked. I seriously do not get the business model that says the NFL just hasn’t had any real competition and oh, by the way, let’s take them on without bringing anything new to the table.

By the way, you knew there was now a UFL, right? It’s okay, up until four days ago neither did I, and by the end of the season, neither will the rest of country.

I’m trying to think of another industry besides pro sports that doesn’t seem to tolerate direct competition. Not entertainment. Not automotive. Other consumer goods? Coke and Pepsi have each other and the rest of the sodas out there. Tech? Google dominates the market but Bing and Ask get to hang around. Blackberry and the iPhone are playing nice, for now.

Maybe tolerate is a bad word, maybe it’s more like the NFL hasn’t had any competition able to hold its own for any length of time.

The Arena Football League? Which month is it because that thing keeps folding like a bad poker hand. USFL, XFL, (insert)FL? No way. The NFL has that coveted first mover thing. People are used to their seasons and for five months out of the year, the NFL has them locked up.

League history aside, this is about colorful web 2.0 graphics hoping to win some of that pro football market share. We might as well praise this valiant attempt before we end up burying it in four months.

The good: Things I think they did right.

1) Names. One of the must-haves with any new league no matter what the sport is that it has to have name talent who people know. Either on the field, the sidelines or in front office. They have former NFL coaches Dennis Green, Jim Fassel, Ted Cottrell and Jim Haslett, and that’s a good start.

2) It’s got to look like a real league. No Oliver Stone Any Given Sunday XFL reject throwback uniforms from hell. The price of entry for any sport these days is that it have a bold logo, clean colors and website, a Twitter account for the league as well as coaches, and fan-friendly events!

3) Alternative schedules and stadiums.
This could be a negative, but the UFL splits their games up for the week and in two different start times, 7:00 or 9:00 pm EST. I like that they bring the games to different stadiums for fans though, allowing different cities to see games.

I also don’t mind a split alternate schedule, but the NFL can do Thursday games because it has an established schedule already and the fans like the change. The UFL doesn’t have that luxury yet, and this looks more like it took whatever it could.

The bad: Which is unfortunately for them a longer list.

1) Timing. The league’s eight game season takes place right in the heart of the NFL’s season. The NFL has a lock not just on Sundays, but Monday and now Thursday nights.

2) Flooded market. Three of the four teams are in already football-saturated markets. (CA, NY and FL.) I’d say props to them for beating the NFL with a Vegas team, but I’m not sure this is an advantage for a family sport. (Least one that’s perceived to be family, even though it’s not.)

3) Hand me down coaches? That’s the fan perception as they appear to be coaches who had issues winning in the NFL.

4) Talent. Forget only having four teams. All pro leagues have the best talent. There’s not “two” leagues with great talent, just one. Eventually, the USFL saw the likes of Jim Kelly and Herschel Walker be absorbed into the NFL.

5) No real TV deal. Versus? HDNET? Unless you have one of the major networks, CBS, NBC, ABC, FOX or ESPN, forget it.

6) Fans love football. NFL football. It’s funny how competing leagues always think fans will watch whatever’s put in front of them. NFL highlights, yes. ESPN Classic NFL games, yes. NFL Network replays. Yes. Everything else. No.

I mentioned “being there” first, but the NFL has its act down. They are part of not just a collective sports mindset in this country, but a strong consumer culture. Anything to do with NFL football, they’re all over it: Madden 2010, official NFL merch, plasma TV and NFL Sunday Ticket.

I’m not saying you have to have to do all of those things to be successful, but when you’re taking on the NFL, you had better nail the ones you go for. (The XFL’s TV deal with NBC couldn’t save it.)

Here, the UFL appears to not only have disregarded a lot of that, but haven’t really brought anything new to the game. Certainly not the way Arena brought speed to it or the XFL brought its little eccentricities like the SkyCam or pre-game football dash as, etc.)

Good luck, but to channel Green’s famous rant, sorry man, but the UFL is going to find out that the NFL is exactly who they thought they were.

Back in my day, we didn’t have cool
toy packaging.








Yes we did, it just took until now to realize it. Why, this Ridley's House of Novelties on box vox is retrolicious! (New word. Look it up.)

Tuesday, August 25, 2009

Don’t have Sunday Ticket? It’s your fault. Or is it?









Sometimes commercials raise issues that the brand either didn’t think about or if they did, hoped someone like me wouldn’t notice. What I’m talking about are the new spots running for DIRECTV’s NFL Sunday Ticket. There’s one with Denis Leary, Peyton Manning and LL “PHILIP RIVERS” Cool J.

The spots are in your face and bold, and, Leary’s machine gun cynical delivery having shown signs of wear and tear notwithstanding, my first reaction when I saw the spot though was F-you DIRECTV.

The gist of the message here is that as a cable subscriber, it’s your fault you don’t have Sunday Ticket because it’s the only way to watch any games. Talk about misleading.

The only one preventing access to Sunday Ticket is the NFL.

Cable has its issues when it comes to broadcasting rights *cough, cough Yankees games cough*, but this one’s on the NFL.

I’m not a big fan of the dish because the signal had issues in the rain and snow, but I’ve had Sunday Ticket and loved having access to every game. IT WAS FOOTBALL PORN. The new place though only offered cable, as installing a dish was not possible given the location.

Earlier this year, the NFL and DIRECTV even announced an extension of the current arrangement through 2014. Games will be available for non-DIRECTV subscribers (cable subscribers), no later than 2012—but only via broadband. Come again?

Watching CBS’ live stream of March Madness was one thing. At least the quality of the picture and audio were both really good. But watching a full NFL game on the computer is like watching it from the stadium parking lot.

Trust me, it sucked listening to it streaming on internet radio for two full seasons, let alone three hours sitting at a desk.

So what’s the logic? Why has the NFL created this apparent monopoly with DIRECTV. Because they can? If I had to Hail Mary something here (ouch), I’d guess the league would hate the idea of everyone being able to watch games on the system of their choice, because then they wouldn’t go to the actual games.

But then, they allow DirectTV access. If the league were worried about fans staying home, they wouldn’t have allowed a deal with the dish. (Besides, I’ve seen RVs at games with dishes on them. So much for that theory.)

It’s not a pay thing either. If I could get it on cable right now, I’d pay the same fee as I did with Direct, and I bet a ton of other people would too. (It’s currently $300 for five months.)

Seems like the league hasn’t caught up with how people want to see games though—and either doesn’t care, or is afraid of what will happen if it grants access across any media channel.

Sorry Denis, until things change, looks like I’m “that guy.”

You’re disappointed not because of the clean look and minimal production value,



But that the new American Apparel how-to series on YouTube that demonstrates various ways to wear their clothes isn’t even mildly exploitive. Well, there is one way to wear it called the Dominatrix, if, you know, that helps.

When you can’t take it with you.










I was reminded of how much “stuff” I had after moving last month. Stuff being the operative word for stuff in boxes you’ll go through later. Fail. This was the fourth time I moved a lot of the same “stuff.” Then I saw pictures of what Chinese artist Song Dong did at MoMA and his exhibit Waste Not. (Don’t, just... don’t. What he did was too cool for you to be riffing on his name like that.) He took the entire contents of his mother’s house after she passed and spread it out for everyone to see.

In that context, where it’s not just 50 boxes full of stuff stacked in a garage or some storage facility, but someone’s life spread out in a new way, their past seems to take on a new meaning. Having gone through a lot of this cleaning out of houses over the past year, it seems like a cool way to pay tribute to someone. The exhibit runs through September 7.

(Via C-Monster.net.)

But why is mommy biting the heads
off my dolls?



I don’t know son, maybe she needs Pristiq.

(Via.)

Monday, August 24, 2009

Anonymous blogging fun, chapter 2.










And the fun continues. Rosemary Port, the blogger who was outted for her Liskula Cohen skanky skankness remarks is now suing Goggle for revealing her name. Now, as you read through the background and various opinions of the net of public opinion, it seems like she has no case.

If Google had simply revealed her name for no reason? I’m guessing she’s a winner! But, she did the whole libel comments thing first, so I’m guessing Google will argue they had no choice but to reveal it when compelled.

However, I just wanted to throw something out there to consider. Now that you see what Ms. Plaintiff/Defendent looks like, is your initial opinion any different? There’s no other way to say it than to say it: Admit it, she’s not the “husky” Pat-type everyone expected who might call a supermodel a skank. The two were also familiar with each other, having previously been at a few different events together.

And because of that, I put it you people: This is the kind of tabloid shit you’d expect to see between Paris Hilton and Nicole Richie on TMZ. And in that context, does the anonymous rights arguement hold up, or does it just seem like a silly catfight?

Deliberate amongst yourselves.

(Image via.)

We came, we risked, we left.



It was mayhem I tell you, marketing mayhem. This time out it was with Kelly Eidson, contributing writer for Ad Age and Plaid Man Darryl Ohrt. For the most part, the theme was about taking risks: Agencies who do and agencies who don’t. Then there’s the whole anon blogger comment thing. Who’s right, who’s wrong, who’s a skank? IT’S ALL HERE PEOPLE. Right here, right now.

Download the show directly here. (Topics here.) You can also follow us all on Twitter: TheBeanCast, mtlb, Kelly Eidson, and Darryl Ohrt.

(Next week I’m on with David Burn and Danny G. from AdPulp. Hilarity will ensue.)

Tags:

Bret is the new... Peyton?



David on AdFreak pretty much says it all about this spot. First thing I thought too when I saw it was that Farve’s understated thing was pretty good. Maybe the next... PEYTON?

Sometimes stock photos just have horribly disfiguring accidents.














See, this is when although you have permission to use ESPN’s logo or mention “NFL” football, you still can’t afford an actual team shot. Instead, you have to settle for an obscurred college shot from the iStockphoto bin, which, at first glance, basically resembles this guy.

And I wanted to be a cowboy.















Medical Billing Specialist, really? Pretty sure the government will be taking that over soon, so we’re gonna need a replacement.

Kim Kardashian, your personal dental proxy.









Sometimes after writing a few mega posts on the future of branding or crowdsourcing, I like to cleanse the palette and click on the internet. Randomly. Score! Forget Google affiliate pages, the latest rage is celebrity endorsements! Wait, what, they’re not actually endorsing the blogger? Something called BriteTeethPro pays someone names Janice Brown to write her own story on Amy’s Kim Kardashian’s blog—that’s not really hers? Maybe if they’re lucky they get 5¢ per click? And the comments are a year old and stop after five really favorable ones?

Oh.

?
















Stay Puft Marshmallow Man’s kid? NASA budget cuts force future astronauts to use fish bowls? HELP ME HERE PEOPLE! What does KPS know about space travel in the future that we don’t?

Sunday, August 23, 2009

Crowdsourcing. Mmm. Get you some!









May the source be... *nyuck, nyuck*

Denver Egotist emailed about the Brammo and BBH crowdsourced logos. In addition, I saw a few reactions on Twitter, not just about that but the concept in general.

While you can pretty much crowdsource anything, I have a few thoughts about it relative to design and advertising, pro and con.

A few reactions say crowdsourcing is “changing” social media and client-agency relationships. Yes, but that’s just a characteristic of what it does. You need to address two deeper issues at work that people have a problem with.

I’m not here to come down on any particular shops either, but the first thing people seem to be taking issue with is the perception that any agency would have to go outside to do its own design work.

Yes, agencies partner with outside shops on work all the time, from programming to TV to whatever, and so this is just an extension of that. For the most part though, agencies are viewed as being able to handle anything internally, especially design work of this nature, that’s why they got the gig in the first place.

Second, and more importantly to the bigger discussion the industry needs to have, and what seems to spur the most rage I’ve seen, goes right to the core of what this business is about.

Specifically, the value of what we do.

From a creative/agency point of view, it’s something you fight to get respect over constantly. From the client’s v , they tend to view creatives and the work they produce as just another line item in the Excel file.

Design as commodity, and so what’s the cheapest I can get this for, right?

Not all brands of course, but a lot. The ones who really understand the value of the work and who pay accordingly seem fewer and farther between though.

For those who don’t get it, crowdsourcing fans those flames because we see the work we do as more than just a thing to throw a price tag on. Which, it is, and it isn’t.

The good that might come from multiple people addressing a problem is fine in theory—if they’re all on the same team.

But brands aren’t using it that way. They aim to get work for the lowest price. This is done by pitting many people out there each with their own agendas against each other. They don’t always have the client’s best interest at heart either.

That goes against the spirit of collaboration inherent in the implied definition of crowdsourcing.

There’s also a difference between being compensated for work that makes a difference for a client who appreciates it and an attitude by others that’s no better than “Gimmee four logos, two ads and throw in a Facebook page while you’re at it.”

Then there’s always the issue of client ignorance to deal with regarding the actual craft involved. They wouldn’t second-guess the plumber that shows up to fix a leak in their house, but when it comes to their logo, all of a sudden they’re Paul Rand.

(I say logo, but, it could be any creative element really. Not to raise too many other issues, but this debate goes hand in hand with the idea of spec work, of which there’s a lengthy but great discussion on by Eric at Smashlab.)

Here’s where I see crowdsourcing possibly making a difference.

While having every dude with a webcam make your Super Bowl spot will “probably” not result in the best ad, crowdsourcing in theory should allow everyone at any agency a fair shot at doing work for a major brand.

You hear agencies and the industry all the time talk about how an idea can come from anywhere. It’s bullshit of course because the last thing a creative director wants is knowing that the agency receptionist just came up with an idea for a spot, let alone a dude in his mom’s basement somewhere in Indiana.

If crowdsourcing hopes to contribute positive change to the industry, it can start by not just grabbing inspiration from the cheapest solutions out there, but the best, and paying them accordingly.

I doubt the social media crowd championing competitive rates for logos this way would cut their rate when dealing with a major brand.

As for Brammo? What I would do is this: Rewrite the contest like you’d rewrite a bad brief. They want a logo? Cool. They love crowdsourcing? Cool. Here’s another concept the design community has used forever when they do a project out of “love.”

It’s a little thing we like to call taking it out in trade, but instead, Imma put my spin on it:

Welcome to Tradesourcing.

I’ll do a logo in exchange for one of those sweet rides.

Now, up to this point, I avoided addressing the specific contest in question. But paying a fee in the form of a $5K bike will be worth far more to me than the $1,000 being offered, especially after reading that creative brief. (While a brand says “The above is just thought starters though...,” trust me, they better see what they asked for “above.”)

In return, they’ll get a killer logo as well as someone who will represent the brand to boot. I get more than the $1,000 offered for putting up with the inevitable headaches the brief hints at (headaches which will see that $1K evaporate well before the 12th round of revisions). What’s more fare than that?

But maybe we should ask the people what they think first?

(Image via.)

“It’ll go great next to my Herring.”













*sigh of the times* Now I know how Paul must’ve felt when Michael sold half the Beatles’ collection to Sony. A collection of Ansel Adams’ Polaroid images are going up for auction after the company had declared bankruptcy. It’ll probably sell with no problem once Sotheby’s puts it up for auction, that’s not the issue so much. (The legality of the sale is actually challenged by one critic who says works from artists like Adams and others may have been on loan to Polaroid, not donated.)

It’s more about seeing something you dug get sold to someone who likely could care less about it beyond its market value. (Tangential to the discussion is the possible loss of all of photographer Annie Leibovitz’s work because of an outstanding loan due next month.)

As for Adams, I grew up a fan of his work as the old man was into him. I also studied him in college photography classes, and even worked with an agency photographer for a few years who’d studied with him as well as spent time with his family. (How that influenced his shots on the rum account we were on, I’m not sure.) Just seems that a collection though that’s been in major museums around the world should be donated to those institutions or universities. Instead, they end up owned by anonymous bidders who appreciate the investment more than the art.

As for the “art,” Vogue editor Anna Wintour said something about Leibovitz in that article that really applies to all the artists I mentioned: Budget isn’t the concern, because at the end of the day, they give you something that nobody else can.

(Via.)

Saturday, August 22, 2009

Cash for clunkers: Dealer incentive or art installation?








Unique way to promote a sale, or deeper commentary on America’s love affair with the automobile as it relates to socio-economic issues? You decide! So this is the last weekend before your local dealer is done with Cash For Clunkers. While I was out and about, I just happened to catch a few displays various dealers have put up to highlight the program.

Like the remaining dealer inventory, the different types of “installations” are limited. They either paint the hell out of a beater (complete with almost nearly lifelike lights for eyes), or they do a larger display involving a dumpster. The ones up top I snapped at local dealers in CT.

(The other side.)







Some more from around the net...



































































Jerry Jones’ $40 million dollar do-over.










Aka, “Yeah, no, just make it higher.” Done! If only it were that simple.

Watching the Cowboys last night in their new $1.15 billion with a B taxpayer-funded sportsplex, I’m guessing owner Jerry Jones was on his cell with stadium architect HKS asking what in the hell they plan on doing about their little problem.

The one problem where Tennessee punter AJ Trapasso hit the new 600 ton with a T, 160’ long x 72’ tall, $40 million dollar scoreboard.

When your scoreboard costs more than the last stadium you had (Texas Stadium, $35 million), moving it’s gonna be tough. The lowest point is 90’ off the surface, not really a challenge for the average punter. Given the current use of Skycams over the field and the unique challenges they present, surprised this hasn’t happened more.

Raising the screens is going to ruin a lot of sight lines that Jerry showed off during the halftime show too. The ones in the standing room only sections that hold 35,000 fans. (At $29 a ticket, that’s $8.1 million in home game ticket revenue alone.)

The solution I’d have suggested initially would now be hella expensive to pull off so close to the first game of the season, but here goes: Keep the same height, keep the four screens, but as indicated in red below, move each out to an imaginary sideline extending straight up vertically and out of the field of play:












This allows an even closer view of the monitors for fans.

Plus, you’ve now created the equivalent of a foul ball pole in baseball. If the ball hits it, you know it's out and the play is not affected. As it is now, it’s treated as a do-over as it was Friday night.

You can also run screens on the back side of each one for a total of eight, visible from any seat in the house. More ad revenue for Jerry.

Otherwise, here’s what’s on next week when the Monday late-night talk show cycle kicks in: Jones’ new toy just made the top 10 of every staff writer’s list.

Worse though, imagine your team makes it to the Super Bowl the year they have it at the new Cowboys’ stadium. Maybe even a game that would decide if you were going to make the playoffs.

FF >> final play, your team down by six about to receive a punt with almost no time left. The football gods being fickle like they are, this one was going to be returned for six, until “doink.”

DO-OVER.

The football gods do not repeat their miracles.

This time, your team is stopped. It’s one thing to know your team lost because of fog or a freak snowstorm. It would be the ultimate suck to know it was because of something inside the stadium, a state of the art facility designed to shelter the team from the elements.*

Of course, Jerry could make lemonade here and co-promote with Taco Bell to offer fans a free taco whenever a punter hits the scoreboard.

*Useless trivia: The Oakland Raiders’ Ray Guy hit the gondola of the Louisiana Super Dome during a Pro Bowl. appearance.

Friday, August 21, 2009

These kids today.









Agency Spy has a wrap-up of the session from Thursday PSFK’s Good Ideas conference hosted by George Parker. It was a new guns/old guns, where advertising got to/where it’s going theme. You can check out a complete list of the players, agencies and pics on PSFK. The discussion ran about 90 minutes with some good takes from both sides. Here’s a few thoughts from my comfy as hell comped king’s couch.

- Metaphors for the state of advertising, yes, have some. Curvin O’Reilly had an interesting one:



I passed both Yankee stadiums last night, one is being torn down. but I understand the new one is ultimate in creature comforts...but the interesting thing about the two side by side Yankee Stadiums is that the game is still the same. The game has not changed – it’s all about getting hits. Whether it’s with advertising or other forms of media, that’s it.


- What you heard too was a respect for the business side of the business from both young and old. It’s not about amazing Flashterbation from interactive shops, what agencies do needs to provide more than that. Alain Sylvan of Red Scout:



I’m more impressed with what is the arrow pointing to and how can we impact it. Our job is to stimulate business so if you think of it that way, how can you be what that arrow points to? Be that lighthouse. Be the thing you point to and once you think about that the growth of the industry is flexible.


- One topic that came up was spurred on during the Q&A at the end. Someone asked if advertising was in therapy, what would the therapists on the panel advise it do to help itself. Curvin had the best response:



I want to bring the client in for couple’s therapy. We need to find a way to talk together, to communicate. Client needs to understand I’m not there to steal money, etc. There should be some trust, more trust than there is right now.


I liked that answer because it involves another part of the problem with the business: The client and the Rock Star mindset CMOs seem to have now. Get in, shake things up, move on.

- On the topic of big agencies and even bigger red tape, Domenico Vitale summed it up nicely:



We’ve created factories that employ hundreds of people that have to get paid every month which means we have to produce the same product over and over again.


More when the video goes live. I’ll post a link to it then.

I never got a short film with my Sportz.








Just playin some b ball with my new kicks.

When we were kids and couldn’t afford Converse or even Keds, we’d get like, Sportz or some other knockoff from Caldor (now Kohl’s). It sucked though because everyone knew how broke your parents must’ve been because you were wearing them. Maybe not even broke, but your mom at one point had to whip out the tried and true “I’m not paying all that money for... these are just as good.”

Humiliation ensued.

So, on the L yesterday, I spied a pretty cool in your face poster for Protege MVP with Al Harrington, just one element from the DraftFCB-produced campaign. Then I saw the Sears name in the lower right and was like, damn, this is Sears? Since when are they going back to selling their own shit? It’s not, it’s Kmart. (The shoe’s been out for a few months.)

Then they told me to go the Zone for more info, which I did. And now, Imma playa according to the copy in the sentence up top. It’s easily the loneliest G in Suburbia writing this stuff, or someone at the agency’s been playing homie again because it feels so forced. Another issue for another time perhaps.*

Special edition sneakers by athletes aren’t new obviously, but a low-priced alternative that has some cred attached is a relatively new thing. (Stephon Marbury and his Starbury.) Designer Dallas Stokes and Harrington built “a collection of practically priced, high quality, footwear and apparel.” Wait for it... “Exclusively at Kmart.”

Loss of cred ensues?

Not sure. Bill Walton wasn’t working with any designer on my $7 Ked imitations. And I damn sure didn’t get a short film along with it. You applaud the effort though to bring an inexpensive shoe to the... what, it’s $34.99?

Hmmm. So much for a “give back” brand on the market that all kids can afford.

So now is this Kmart’s sweet spot, tying in with athletes that might boost the brand’s cred and not helping out the community of “us” as the TV spot implies? I almost used the word street cred with Kmart, sorry.) Nice use of the “dropping dimes” snitch phrase though. Props! Still, $35 is a lot of money for many families to drop on their kids’ sneakers.

Say it’s no problem for yours though, will it then persuade you to buy if you know where Al came from and the struggles he went through, or is this just part of the standard Endorsement 2.0 package for brands now?

(Image via Brand Anthropologist.)


*Whenever racism or diversity is brought up in Ad Age, that’s what apologists in the comments section don’t get. It’s not just about how many “different” people work in an agency, it’s about getting the actual message right without offending someone using cultural stereotypes. Will you please every group with an ad, no. You just shouldn’t make it so easy to offend a select few though.


You really snored last night. No I didn’t.



















At first, I thought this poster on Metro-North was for some sleep aid. Cool. I haven’t seen a guy open his mouth like a grouper in an ad in some time. Or maybe the guy really likes ears. But it’s not for a pharma brand. I checked out the twoofus.org url and it’s a relationship site. Not sponsored by a brand but the U.S. Department of Health and Human Services. Go gov telling us about relationships, yea! Today’s topic, emotional cheating and its effects on taxpayers.

(Image via.)

Drudge: The new New Yorker?













It’s easy to dismiss link dump Drudge Report as a political version of the National Enquirers of the world. You may not like the stories it links to, or the way creator Matt Drudge takes a sound bite buried eight paragraphs in and turns into the Armageddon-like centerpiece of a story, but you can’t argue that the news item in question is factually wrong.

Like the tabloids, celebs and politicians may hate that sensational stories are released in the first place, but few are able to sue successfully. It’s a two way street too. Tabloids know they wouldn’t be in business long if they published false material and some personalities probably like the attention.

Still, while uncomfortable to deal with from a PR point of view, and while many photos capture moments that may not be what they appear to be, most stories are almost always “true.” (I’m in a legal kind of mood lately, can ya tell?)

I saw that particular Drudge headline yesterday with the Obama image though and chalked it up to the same old shit, but in a way, the combination of using the person’s own words and an otherwise innocuous shot together goes to the core of what any political cartoonist would do. Maybe something you’d see on The New Yorker or in any newspaper comics section even.

(Which then made me think of how newspapers are basically delivery systems for comics in much the same way cigarettes deliver nicotine, but I digress.)

There’s a line between political commentary and political activism though.

A cartoon, illustration or graphic representing the former isn’t real in the sense that a photo can be perceived to be. An illustrator interprets the “reality” of a situation and remixes it with their commentary in the form of a given scene, like that Obama New Yorker Cover.

When it becomes activism is when the photo reinforces a realistic portrayal of the person in question, coupled with a highly charged and emotional audience. Drudge himself may skew centrist in his political leanings, but the majority of his audience skews right, as well as the ones for former partner Andrew Breitbart, and, extending that out further, Fox News and Rush Limbaugh.

That collective audiences makes a nice base with which to cement opinions, and the clever juxtaposition of copy and photo is not lost on them—it’s reinforced. (That’s not just my conspiracy theorist leanings, you only have to follow any of those four to see how each links and references the others.)

But, admit it, POTUS does look like he’s got the munchies in that shot.